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Anyway, Eros comes to Samuel for some sex, during which the mysterious Dominic (Peter Stickles, also the Lair) whispers in Persphone’s ear, letting her know what her brother is up to. The Dominic character is never explained but is a manipulator of the pieces on a larger board.Īfter Dyonisus rapes Samuel, Eros decides that he and the human should run away – and also turns Samuel. Of course this betrayal does not please Dyonisus. We won’t go any further and we haven’t even got into the other, witch related, plot.
But you know, for a piece on a budget this did really well. The acting might have been a little overtly melodramatic, soap like even, but it fit the mood of the film and managed to resist falling into too much campness. The story was in turns simple and overly complex in that it tried to stretch a little too far. If that sentence seems contradictory I can’t help it, the film did seem like that. The pacing was a little off in places but the relationship of Eros and Samuel was filmed in a way that seemed genuinely romantic.
I wasn’t sure why Dyonisus' face was permanently in a Buffy-vampire-face mode, but there you go.
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I did wonder as to how the humans seemed to have tattoos when they were living free range, as it were, in a broken city block. #HOT GAY MEN PORN VAMPIRE THE LAIR WITH PETER FREE# This was probably not pre-war ink as Samuel doesn’t know what a bar is and so some time must have passed since the war.